"I have this aunt," Violet said, in her I-have-this-crazy-story voice. "She had chickens as pets. She bought these pedigree chicken eggs—yes, pedigree chicken—and she wanted to hatch them into chicken and have those chicken lay eggs to sell. Except they're pedigree chicken, so they get sick really easily, so she had to buy expensive medicine to keep them alive. She would stab the chickens with needles one by one and force-feed them pills."
We were in the computer lab, eating our large boxes of poutine with extravagant toppings. Violet's boyfriend, Henderson, stole a particularly large piece of smoked meat, and Rosemary turned her attentions towards him again.
Just yesterday, Violet and I were talking about our futures, what little we knew of it. She and Henderson both wanted to be in academia, like her father. Their dream was to get tenure together in the same university. I told her my future was to see if Khajiit would graduate in the next ten years. We both laughed.
. . .
When I first went to Fish Wings, I won't deny this: I thought it was beneath me. I had gotten in without trying, and a scholarship to boot that had seemed to have fallen into my lap. There were smart people here, of course, but I was just as smart as them, if not more.
This past year has been a lot, and I have met so many people who have changed my mind about that. There is Flynn, who could rival Bryant on anything math and physics related (and who infuriatingly calls everything from triple integrals to advanced algebra "easy shit"). Aishan, who programs with three monitors and will be going off to Microsoft this summer (hopefully with no chair-throwing incidents). Sandra, who works multiple jobs and learned French from a retail job so she can support her way through university. Jessica, who is involved in everything from residence council to engineering teams to student society representative.
What had I to be so scornful about?
. . .
In his spare time, Khajiit works on his beloved programs and websites. He works on them when there is work due soon and he does not want to do it. When there is an assignment due in two days he would fix the scrollbars on the a small portion of the computer club's website, or make a Java program more Windows native, or something, anything, that is not his assignment. He says that his procrastination is never time wasted. He is always productive, especially when he procrastinates.
It used to frustrate me a lot. It still frustrates me sometimes. The new meds will probably help, but we both know he has to work hard too. Some days I want to tell him I believe in him, and I know he will pull through, one way or another. Other days I wish he could do it right now, because with every setback I can feel him slipping away.
Khajiit is not someone my parents would approve of. They asked where he was from, what he was studying, all the usual questions. For once they did not ask if he was a good student. Afterwards, when Khajiit told me to take deep breaths so I wouldn't fall into a state of panic, I wondered if it was merely an oversight.
. . .
Khajiit's dad recently asked me, "Do you like it here? No regrets?"
Maybe it is because his own daughter has chosen a college, and he is curious to make a comparison. Or maybe he knows. He has always known things about me before I do myself.
. . .
They smile when I fix the paper jams. They thank me when help them with their computer issues. The other day, I heard a girl explain to her friend the way the printing system worked, and I grinned. I could not have done it better.
There is something refreshing about swinging the keys attached to the network cards, going off to fix a ghost paper jam and hearing people talk about why they need to print so urgently. Sometimes it's an assignment due in ten minutes. Sometimes it's a document they need to file their taxes. Once it was a girl who needed her transcript to apply to grad school.
Maybe that's why when someone knocks on the door I tend to get up to open it. I hold the record for most printing money sold last semester, and although there is no prize or recognition for it, it's surprisingly satisfying. All those hours I've put in this computer lab make me happy.
I had first joined because I saw Flynn at the front desk, and I knew him because he was friends with Sam and Denise. I had stayed because it was fun, dizzying fun, all the late night laughing and crazy antics and large group outings. We are all good friends, I want to say, or maybe we are family. We are a family complete with wise, mature ones and scream-in-your-face immature ones, and the one or two people no one likes and the one or two people everyone likes. Lots of outside drama. Lots of inside tension.
My residence advisor said that living in residence was supposed to give us a feel of home, to make long-lasting friends and to feel like you belong in a group. I never got that from my residence (going home at 2am all the time probably did not help), but it's nice that I found it elsewhere.
. . .
Today is Mother's Day. I should call my parents. I have been putting it off, and the more I do so the more I want to, the harder it is to pick up the phone.
. . .
The title was sentimental me thinking I had sentimental things to write about. It is too late for me to think much, although I have had a four-hour nap today, and should not need to sleep too much, even if sleeping patterns for me are too elusive.
Showing posts with label future. Show all posts
Showing posts with label future. Show all posts
Monday, May 14, 2012
Saturday, November 6, 2010
Hindsight Is A Spiteful Kid
The main problem with wanting to prop up your vanity (or just being over-eager in general) is, well, sometimes you wish you hadn't. Really. Not that, I, uh, have any experience in this field or anything. Uh-huh.
But I would like to take this opportunity to note that my ankle does not like me. I was walking from the dining counter to the kitchen counter when my left ankle decided to writhe in pain, and naturally I almost toppled over. Needless to say, it was not fun and resulted in me hobbling on the other leg for a long time (because I was afraid to see if my ankle was okay afterwards).
I have weird joint problems (as Tea nicely pointed out). That I will admit. This ankle thing could be related to my habit of sitting on my ankles, although it does not explain the relative lack of pain in my other ankle, unless I usually only sit on one ankle. I don't know—and I don't want to find out, because that would mean more ankle-sitting and possibly more pain.
Anyway. My mom and I went to Crumbs today, because two of my interviews to come (the early decision/action ones) will occur there. My mom's theory was that we should have a "mock interview" there and see how things go, since I am generally not good around strangers. Instead, the entire journey turned into a "What do you want to do in the future?" talk, but this time with a delicious apple pie cupcake, as opposed to the ordinary talks. My mom's idea of my future (and probably my dad's too, since they think remarkably alike) is that I have three choices: financial whatever, engineer, or doctor. (Okay, so I could have expanded upon the "financial whatever," but then it wouldn't rhyme.)
She is leaning towards doctor. Something about stability and lack of need for aggression.
We are going to Starbucks tomorrow (did you know I have never been to Starbucks, ever?) and figuring out what the second floor will mean for awkwardness in terms of interviews (Ariadne said it was pretty awkward since no one else was talking). I think I will get a hot chocolate tomorrow. Or whatever looks good. Any recommendations?
Also, in light of all the issues going on (primarily mine, but also everyone else's), I have decided that I need to take on a more optimistic, plan-oriented way of approaching things. Of course, I know it's not going to work out that way (I should know, the last few times I tried planning something always just happened), but I am setting some basic guidelines and then letting things roam. I have a December plan (if it ever will happen, that is). And plans are at least something to go by, when everything else is just so chaotic.
. . .
"You are Rena," he said, without any charm. Charm was not needed for those who were desperate enough to see him. "Changed, no doubt. How is the family?"
"Good," I replied. "Everyone who is alive is good."
"You mean yourself?"
So he knew. It should not have been surprising—after all, Allison Saint-Cross knew everything—but a part of me still wished he had not known, that I would be able to bring some shock into his hardened composure. I took his outstretched hand and allowed him to guide me inside the house out of habit. I knew the house better than he did, I had in owned this place with my childhood dreams. But habits, too ingrained in the mind, were hard to break.
"I thought I saw him the other day," he continued. "In a silver robe so characteristically his style. I thought, for once, I was wrong."
The unspoken words stung. Allison was never wrong. It could not have been Ciel. Ciel was—he was—I stared into Allison's eyes. "He came to you last, he must have wanted something from you."
"If he did, he did not tell me."
"Liar! You know very well what he wanted, you probably even gave it to him!"
"No," Allison said. "I meant, he did not come to see me. Not on that day."
"But he said he would," I said. "He told me that was where he was going. And everyone saw him in town, on Bayon Street, and everyone knows that if he was on Bayon Street then he must be—"
"Fate is here too, why don't you ask him?"
He was angry now. He had to be. Allison never mentioned Fate unless he was upset—he always preferred to ignore Fate's existence, as much as possible. I took my hand from his and leaned against the wall. "Fate. Is that why? Because you think Fate has to do with this?"
But I would like to take this opportunity to note that my ankle does not like me. I was walking from the dining counter to the kitchen counter when my left ankle decided to writhe in pain, and naturally I almost toppled over. Needless to say, it was not fun and resulted in me hobbling on the other leg for a long time (because I was afraid to see if my ankle was okay afterwards).
I have weird joint problems (as Tea nicely pointed out). That I will admit. This ankle thing could be related to my habit of sitting on my ankles, although it does not explain the relative lack of pain in my other ankle, unless I usually only sit on one ankle. I don't know—and I don't want to find out, because that would mean more ankle-sitting and possibly more pain.
Anyway. My mom and I went to Crumbs today, because two of my interviews to come (the early decision/action ones) will occur there. My mom's theory was that we should have a "mock interview" there and see how things go, since I am generally not good around strangers. Instead, the entire journey turned into a "What do you want to do in the future?" talk, but this time with a delicious apple pie cupcake, as opposed to the ordinary talks. My mom's idea of my future (and probably my dad's too, since they think remarkably alike) is that I have three choices: financial whatever, engineer, or doctor. (Okay, so I could have expanded upon the "financial whatever," but then it wouldn't rhyme.)
She is leaning towards doctor. Something about stability and lack of need for aggression.
We are going to Starbucks tomorrow (did you know I have never been to Starbucks, ever?) and figuring out what the second floor will mean for awkwardness in terms of interviews (Ariadne said it was pretty awkward since no one else was talking). I think I will get a hot chocolate tomorrow. Or whatever looks good. Any recommendations?
Also, in light of all the issues going on (primarily mine, but also everyone else's), I have decided that I need to take on a more optimistic, plan-oriented way of approaching things. Of course, I know it's not going to work out that way (I should know, the last few times I tried planning something always just happened), but I am setting some basic guidelines and then letting things roam. I have a December plan (if it ever will happen, that is). And plans are at least something to go by, when everything else is just so chaotic.
. . .
Allie's All About Apathy (part III)
"You are Rena," he said, without any charm. Charm was not needed for those who were desperate enough to see him. "Changed, no doubt. How is the family?"
"Good," I replied. "Everyone who is alive is good."
"You mean yourself?"
So he knew. It should not have been surprising—after all, Allison Saint-Cross knew everything—but a part of me still wished he had not known, that I would be able to bring some shock into his hardened composure. I took his outstretched hand and allowed him to guide me inside the house out of habit. I knew the house better than he did, I had in owned this place with my childhood dreams. But habits, too ingrained in the mind, were hard to break.
"I thought I saw him the other day," he continued. "In a silver robe so characteristically his style. I thought, for once, I was wrong."
The unspoken words stung. Allison was never wrong. It could not have been Ciel. Ciel was—he was—I stared into Allison's eyes. "He came to you last, he must have wanted something from you."
"If he did, he did not tell me."
"Liar! You know very well what he wanted, you probably even gave it to him!"
"No," Allison said. "I meant, he did not come to see me. Not on that day."
"But he said he would," I said. "He told me that was where he was going. And everyone saw him in town, on Bayon Street, and everyone knows that if he was on Bayon Street then he must be—"
"Fate is here too, why don't you ask him?"
He was angry now. He had to be. Allison never mentioned Fate unless he was upset—he always preferred to ignore Fate's existence, as much as possible. I took my hand from his and leaned against the wall. "Fate. Is that why? Because you think Fate has to do with this?"
Monday, October 11, 2010
Where the Heart Is
I may or may not have already titled a post like this. It is because I have read a book of the same title, and therefore I do not remember if I have taken the name unwittingly. But it came to mind again, so I think I should talk about my heart, if not entirely, then only partially (because my writing is always rather drained when I've just finished a college essay).
. . .
This is about college. Not about where I want to go, not this time, but why. There is a practical part of me that says, "I want to accomplish something in my life," and I am listening to that part right now. There are doubts, of course—I have talked about them semi-extensively with Yuma, about the sheer random nature of my field of preference, and whether I can always find the right answers—but those are still practical doubts. Doubts stemmed from questions such as, "Will I be successful?" or "Will this work?" The practical side is my source of motivation, why I even bother doing my homework, or sitting through my French class (a language I love, but a teaching method and class enthusiasm—or lack thereof—I don't).
Then there is the wistful part, the part that says, "I've only got one life to live, I might as well." This is echoed in my stories—the constant travelling, the myriad of decisions, the utter lack of concern for "opportunity costs" and "marginal benefits." It is the side that remembers alt-127 is ⌂, and alt-15 is ☼. The voice that whispers, "It's now, or never," and then I find myself half out my bedroom window, the screen thrown up, staring at the blinking night sky with my foot dangling a foot above the ground.
So close. Yet not close enough.
I could go to college. In fact, it is to be expected. What I do out of college, that is a little more hazy, but everyone from my parents to my aunts-twice-removed think they know the answer. It is a systematic answer, in a systematic world, where one day's furious pencil-scratching can mean a future of joy (or misery). It is even formulated by systematic ways—reliability, profits, incentives, then last of all or not at all personal enjoyment.
And yes, this is also in part a rant against my cousin, who took art classes so he could get into college because they lower requirements for art schools, when my parents always made up some excuse or another. But it is not entirely that, and especially not because now he is not doing anything art-related.
It is mostly about my reasons for going to college. A good education. With tens of thousands of dollars, I would hope it's a good education. A chance to expand my horizons, so to speak, a chance to do the really exciting things that really make a difference, and not just high school textbook material.
Yes, the practical side wants that, craves that, is excited to go to school because of that (and because of the people, but that is the wistful side). It is content with the way things are going right now—it is not saying, "Don't plant your roots too deep, because there are still so many more places to be."
That voice is haunting me. Not a lot, because it is not extremely big and it is spread over many, many topics, but it lingers. It makes me wonder if this is really what I want—and sometimes, it makes me wonder if I am missing something I would rather have so much more.
A very Nick thing to think, but I have not edited and shared that story yet, so that allusion does not make sense.
. . .
This is about the past. I do not have a very long past—seventeen years, more or more. But I have discovered that the past comes swinging by, in odd yet rhythmic intervals, especially when the mood is not proper. Happy pasts in sombre moments. Sad pasts in celebrations.
Then again, I may as well name names. Here is to Dray, whom I am thinking about as I ponder the situation. Dray who drudged up a past I was not yet ready to confront, who still visits at times, such as now, and disappears at others. And here, I may confess, he is but a figment of my imagination, and it would be half-truth and half-lie, because he exists, yes, but not in the way I refer to him.
He has either created, or is the product of (or both), my series of mishaps with things that concern the heart. The wrong place, the wrong time, the wrong reasons. And the regrets, although they fade with time, and the stupid mistakes, those stay for longer. Maybe it's because I never learn from my mistakes. Maybe it's because I haven't found the rights yet.
Maybe it is all unpredictable, with a confidence interval of 50% and a confidence level that is not really confident anymore. Maybe I am smiling too much and thinking too little, or vice versa, or both.
Ah, my smiles. I don't ever smile when I'm really happy—I have laughter for that. So smiles are superfluous, usually reserved for moments that are not happy but supposed to be happy. A little masquerade I hold, although some days are more real than others.
So I try not to smile, this strange philosophy of mine. But I break it all the time, to be polite, or to put up a pretense, or to just react to the past.
Because reacting to the past is the only time I would ever smile and be happy. Not really, extremely, absolutely happy, but merely happy. And perhaps it makes little sense, but it is the truth, and the truth rarely makes sense.
. . .
This is about love. The other oft-lamented less-oft-well-lamented topic, aside from death. And once again I could name names but that would be too ridiculous, the pace I am naming and labeling him. So I will talk about the general, perhaps, and then maybe the details if I am so obliged.
The first character I'd ever come up with (that fitted the scene, of course) was Reine. It means "queen" in French, "la reine." But Reine is a prince, haphazardly turned king, with none of the composure or cunning, either or, that would make him a good king. He was subject to whims, fits of rage, an over-simplistic view of things, and most of all disconnected to the outside world. He does not care for being a king, and thus came the second character, Keno, who was, if not the most benevolent, then at least smart enough to prevent a coup d'etat. Smart and strong-willed. His younger brothers (twins, so there was no third and fourth, only next) left all the politics to him. Keit and Fate.
I mention this because I wanted to talk about Keit. The once-upon-a-time-was-a-wide-eyed-boy who got lost in the marketplace and reached out to a small, cold hand. Who gazed into a pair of blood-red eyes and set forth a tragedy that left so many people in despair. Who kept on searching for "the one who got away," and never realized he was intent on a memory, not a physical person.
But of course, this is a tragedy because I write awful comedies. With seriousness comes a lack of need for wit and dry humor, and so makes it easier to write. So I mention Keit not for his tragic elements, but for his ability to affect so many lives with only one gesture. A millisecond of his life in exchange for entire souls. That, I think, is the true power of love. The dangerous power that is not often praised because it does not always end happily, but is there, nonetheless.
That is the closest I'll come to the general without sounding trite. There are better words, I know, but I don't know exactly what they are yet. So onto the details.
With every event there is a "How did that ever happen?" moment. How it began. The roots. The date does not really matter, although I suppose it did, since it was a Thursday. That was how it sort of began, but not entirely. It does not account for the precise seating arrangement on that day, or my meeting in the social studies department, or my sudden urge to risk being late for an important affair just to call out his name. That was how it began, I think, but it was also the Thursday, or the calc test assigned prior, or, if you put it that way, arena on that fateful June day.
Or, perhaps, the day I decided I would drop my art class for biology. And was told I could not have middle east during my art class period. That could also have been it, but I think that is pushing it, stretching the connections until they become frayed strings.
But the thing about these moments is that you don't have prior knowledge to what will come out of them. Keit never knew grabbing onto that hand would result in a world split into two. I could quote The God of Small Things, and say that Estha never knew being prepared would lead to his family torn apart, or, for that matter, going to see a musical would lead to his obsession with being prepared. And I don't know what will come out of this, but I am also happy not knowing. Happy to keep it a suspense until the moment comes.
Because it is just as well for the journey, not for the destination.
. . .
This is about the future.
But I have nothing to say about the future, because it is something to be experienced, not said. So long as I have hope, I think there will be a future. A place to store my anticipations and excitements and all of the good things that are not happening right now, and maybe even some of the good things that are happening right now.
I am an optimist, yes. But more so, I am a believer of the present.
. . .
This is about college. Not about where I want to go, not this time, but why. There is a practical part of me that says, "I want to accomplish something in my life," and I am listening to that part right now. There are doubts, of course—I have talked about them semi-extensively with Yuma, about the sheer random nature of my field of preference, and whether I can always find the right answers—but those are still practical doubts. Doubts stemmed from questions such as, "Will I be successful?" or "Will this work?" The practical side is my source of motivation, why I even bother doing my homework, or sitting through my French class (a language I love, but a teaching method and class enthusiasm—or lack thereof—I don't).
Then there is the wistful part, the part that says, "I've only got one life to live, I might as well." This is echoed in my stories—the constant travelling, the myriad of decisions, the utter lack of concern for "opportunity costs" and "marginal benefits." It is the side that remembers alt-127 is ⌂, and alt-15 is ☼. The voice that whispers, "It's now, or never," and then I find myself half out my bedroom window, the screen thrown up, staring at the blinking night sky with my foot dangling a foot above the ground.
So close. Yet not close enough.
I could go to college. In fact, it is to be expected. What I do out of college, that is a little more hazy, but everyone from my parents to my aunts-twice-removed think they know the answer. It is a systematic answer, in a systematic world, where one day's furious pencil-scratching can mean a future of joy (or misery). It is even formulated by systematic ways—reliability, profits, incentives, then last of all or not at all personal enjoyment.
And yes, this is also in part a rant against my cousin, who took art classes so he could get into college because they lower requirements for art schools, when my parents always made up some excuse or another. But it is not entirely that, and especially not because now he is not doing anything art-related.
It is mostly about my reasons for going to college. A good education. With tens of thousands of dollars, I would hope it's a good education. A chance to expand my horizons, so to speak, a chance to do the really exciting things that really make a difference, and not just high school textbook material.
Yes, the practical side wants that, craves that, is excited to go to school because of that (and because of the people, but that is the wistful side). It is content with the way things are going right now—it is not saying, "Don't plant your roots too deep, because there are still so many more places to be."
That voice is haunting me. Not a lot, because it is not extremely big and it is spread over many, many topics, but it lingers. It makes me wonder if this is really what I want—and sometimes, it makes me wonder if I am missing something I would rather have so much more.
A very Nick thing to think, but I have not edited and shared that story yet, so that allusion does not make sense.
. . .
This is about the past. I do not have a very long past—seventeen years, more or more. But I have discovered that the past comes swinging by, in odd yet rhythmic intervals, especially when the mood is not proper. Happy pasts in sombre moments. Sad pasts in celebrations.
Then again, I may as well name names. Here is to Dray, whom I am thinking about as I ponder the situation. Dray who drudged up a past I was not yet ready to confront, who still visits at times, such as now, and disappears at others. And here, I may confess, he is but a figment of my imagination, and it would be half-truth and half-lie, because he exists, yes, but not in the way I refer to him.
He has either created, or is the product of (or both), my series of mishaps with things that concern the heart. The wrong place, the wrong time, the wrong reasons. And the regrets, although they fade with time, and the stupid mistakes, those stay for longer. Maybe it's because I never learn from my mistakes. Maybe it's because I haven't found the rights yet.
Maybe it is all unpredictable, with a confidence interval of 50% and a confidence level that is not really confident anymore. Maybe I am smiling too much and thinking too little, or vice versa, or both.
Ah, my smiles. I don't ever smile when I'm really happy—I have laughter for that. So smiles are superfluous, usually reserved for moments that are not happy but supposed to be happy. A little masquerade I hold, although some days are more real than others.
So I try not to smile, this strange philosophy of mine. But I break it all the time, to be polite, or to put up a pretense, or to just react to the past.
Because reacting to the past is the only time I would ever smile and be happy. Not really, extremely, absolutely happy, but merely happy. And perhaps it makes little sense, but it is the truth, and the truth rarely makes sense.
. . .
This is about love. The other oft-lamented less-oft-well-lamented topic, aside from death. And once again I could name names but that would be too ridiculous, the pace I am naming and labeling him. So I will talk about the general, perhaps, and then maybe the details if I am so obliged.
The first character I'd ever come up with (that fitted the scene, of course) was Reine. It means "queen" in French, "la reine." But Reine is a prince, haphazardly turned king, with none of the composure or cunning, either or, that would make him a good king. He was subject to whims, fits of rage, an over-simplistic view of things, and most of all disconnected to the outside world. He does not care for being a king, and thus came the second character, Keno, who was, if not the most benevolent, then at least smart enough to prevent a coup d'etat. Smart and strong-willed. His younger brothers (twins, so there was no third and fourth, only next) left all the politics to him. Keit and Fate.
I mention this because I wanted to talk about Keit. The once-upon-a-time-was-a-wide-eyed-boy who got lost in the marketplace and reached out to a small, cold hand. Who gazed into a pair of blood-red eyes and set forth a tragedy that left so many people in despair. Who kept on searching for "the one who got away," and never realized he was intent on a memory, not a physical person.
But of course, this is a tragedy because I write awful comedies. With seriousness comes a lack of need for wit and dry humor, and so makes it easier to write. So I mention Keit not for his tragic elements, but for his ability to affect so many lives with only one gesture. A millisecond of his life in exchange for entire souls. That, I think, is the true power of love. The dangerous power that is not often praised because it does not always end happily, but is there, nonetheless.
That is the closest I'll come to the general without sounding trite. There are better words, I know, but I don't know exactly what they are yet. So onto the details.
With every event there is a "How did that ever happen?" moment. How it began. The roots. The date does not really matter, although I suppose it did, since it was a Thursday. That was how it sort of began, but not entirely. It does not account for the precise seating arrangement on that day, or my meeting in the social studies department, or my sudden urge to risk being late for an important affair just to call out his name. That was how it began, I think, but it was also the Thursday, or the calc test assigned prior, or, if you put it that way, arena on that fateful June day.
Or, perhaps, the day I decided I would drop my art class for biology. And was told I could not have middle east during my art class period. That could also have been it, but I think that is pushing it, stretching the connections until they become frayed strings.
But the thing about these moments is that you don't have prior knowledge to what will come out of them. Keit never knew grabbing onto that hand would result in a world split into two. I could quote The God of Small Things, and say that Estha never knew being prepared would lead to his family torn apart, or, for that matter, going to see a musical would lead to his obsession with being prepared. And I don't know what will come out of this, but I am also happy not knowing. Happy to keep it a suspense until the moment comes.
Because it is just as well for the journey, not for the destination.
. . .
This is about the future.
But I have nothing to say about the future, because it is something to be experienced, not said. So long as I have hope, I think there will be a future. A place to store my anticipations and excitements and all of the good things that are not happening right now, and maybe even some of the good things that are happening right now.
I am an optimist, yes. But more so, I am a believer of the present.
