All Sentimental

I am in a classroom, that I am sure of. There are rows of wooden desks and chairs—plank-like chairs that wobble and should not be chairs, should be a bookshelf instead, or a makeshift lock for backyard glass doors—and for a moment I think I am in China, because that is where I had seen plank chairs before. But it cannot be, because I see Paperclip people around me, Hank and one of his perverted, awkward teenage boy friends, and there is Dino, and Sonny, and I strain to see my friends, but I cannot find any.

So instead I walk up to Dino, and Sonny (as an afterthought, perhaps), and I say, "Hello."

My vowels are crisp. I say my "hello" with the "eh" and not as "hullo," and it somehow matters. My way of saying things, that is close, but not quite what I want it to be.

I do not remember if Dino says anything back. Sonny does, though. "Hi." Maybe a "how are you doing?" but that would be pushing it, I think. We are not that close.

We talk, the three of us, about things that do not matter, and I am talking just because I want to talk. Because I am running away from what I really should be doing, things that do matter, and I think Sonny senses it, because he asks me, "Should you be doing something?"

"Like what?" I ask, pretending to be coy.

"I don't know."

And this honesty shocks me, this admitting that he only knew a fleeting moment, but not anything substantial. And it makes Dino laugh, his cruel, monotone laugh, and I think that it is this laugh that I have fallen in love with, not his hair, or his eyes, or his back, or whatever else I have proclaimed it to be.

"There is a competition," I say, "French. I won, but I haven't gotten the scholarship yet. Haven't gone to pick it up."

It is a silly thing to hide. Silly me. Silly running away, not facing the truth. I do not know why it was so important that I not go and get what should be mine.

"Well, you should go, then," Sonny says.

I shook my head. "I don't want to," I say, while looking at Dino. I wanted him to be chivalrous, for once, and say, "I'll go with you."

Instead, it is Sonny who says that, while Dino just shrugs and laughs again. Sonny who pulls me into his arms, hugging me so tightly I am reminded of Vincent, remotely, and I hug him back, all calmed down, ready to tackle this apparently difficult task of grabbing for what really, really should be mine.

. . .

Then there are gender-bending moments, and I am a guy, and Sonny—or I think it is still him—is now a girl. We are a little cute, the two of us, together, wandering the halls, and I am not sure we know exactly where it is we are going. There are rooms, yes. Lots of offices. People. I ask for directions, and I get answers, but I forget them immediately and instead I try out every room until I think I have the right one. And then I forget what it is I am asking for, and I try to think of anything French, and I say Le petit prince, although that cannot be the right answer, and I know it even as I say it out loud.

Then my mom is calling me. She is. She says, "Ginny," although of course she does not really say Ginny, but my Chinese nickname instead. I think I responded, but I must have forgotten to, because she calls my name again.

And I wake up, and it is all gone. The hallway, the French, Sonny, the plank-chairs.

I can still feel Sonny's arms around me though, even if I know he is not a hugging kind of person. I cannot imagine Sonny hugging anyone, at least not now, and when he does it will probably be someone who is cheerful, and innocent, and not full of unspoken mysteries and little not-necessary lies. I am a little sad that I will not be able to know what his arms are like, but only a little. Barely there.

. . .

I am reading Anne Enright's The Gathering right now. The story itself has some mad quality to it, some dream-like appearance that is real but not reality. The reality is strange, detached, almost unreal, and the only things that are concrete are the blasphemies that were never real to begin with.

A softening of reality's jarring edges.

I have written before that I do not like reality, because it is too painful, and I do not like pain. I am constantly running away from pain, and maybe this is a wake-up call, that I am a hypocrite, because running away from pain and running toward Dino and his cruel laughs and this dream of golden blue are two very contradicting things. He is he and I am I, and in my dreams, at least, I am—despite my little not-necessary lies—as straightforward and innocent as I ever will be. In my dreams, I am capable of accepting someone who genuinely cares. In my dreams, I am able to stare into Sonny's eyes and not think about Dino, not think about how I wish everything were different.

In my dreams, I am content. And it is not reality, but it is real. Real enough, for me.

. . .

School is starting in over a week. On Wednesday. I still remember the first day of summer vacation, or the first half-day, anyway. I went to arena, got all the classes I wanted, then waited outside the front doors for an hour, talking to the people who came in and out, learning about the different schedules and feeling happy that everything, for me, anyway, worked out.

Then I walked over to the middle school, where I was meeting Argon, and I had taken off my shoes and was twirling in my white skirt, bare-footed, flip-flops on the side, and I felt the cool ground against my soles.

We were talking about math team. Gretchen was there, as was Mario, and Dino. I hated to admit it, but Mario and Dino did most of the introducing, the information-giving, and I thought to myself, "I am not really necessary here."

And then I thought about Matt and Kyle and Trevor, and Elaine, and all of the seniors, and I think, "They are not really necessary, either." They can be here, but if they were never here to begin with I do not think any of us would miss them. I think someone would have replaced them easily, and we would never miss them until we know of their existence. I, for one, do not yearn for someone who does not yet exist. Someone so real in another world, perhaps, he does exist.

Of course, that was exactly two months ago. This will probably be my last post before school starts, and when it does, I will probably go back to what I have been blogging about all along, except perhaps with a lot more college things and a lot less ranting about junior year and research papers, because that is in the past. There will be busy weeks, and not so busy weeks where I am constantly writing things and not doing things, and where words, for once, speak louder than actions.

Somewhere along the way, I know I want to realize dreams. I know I will want to find my way through the tangled half-truths and sticky, snarling pieces of memories, and of course, there is also the farewell, but I do not like to think about that yet. Not yet. It is not time yet. And I should be most familiar with this path, this last year of forlornness and realizing and complicatedness that will invariably snake its way into my decisions and leave me regretting some small thing or another ten years from now, until I do not remember what it was and only remember the regret. But not yet.

. . .

Veronica Hegarty has to—and it is not a whiny, hopefully-will-be but an absolutely-must-be—fall in love with everyone she has sex with. I, in turn, have to fall in love with everyone who loves me. It is as though I have no choice in the matter. Of course, that is not true. I can fall in love with people who do not love me back, who will never love me back. But I absolutely-must-be have to fall in love with anyone who loves me. No exceptions.

This has, I suppose, made me brazen at times. A daring I-don't-give-a-damn-about-you that has propelled me into worlds I am not supposed to trespass, but I have broken far more rules than I care about. I have long ago blurred that fine line between love and affection, because it is impossible to love so many people at once without having to spread myself somewhat, to say "I love you," and make all the gestures, but to be unable to say, "I'll do anything for you," because there are way too many of you and only one of me.

And I am happy. I think I am, and that is all that matters, not whether I am actually happy or not. I think I am happy, and I will be.

As long as Sonny never reads this. That would be difficult to explain.